Today’s post is about some general notes and differences between the original, crappy, unmastered version of the album that I thought I was done with in August of 2010. All the tracks are at least a little shorter than they were before, usually due edits during long-winded instrumental sections. Or it was from making fade-ins and fade-outs a little quicker. Whatever the case, let’s dig into it. Continue reading “Reviving Modus Operandi, Pt. 2”
I considered doing a drawn-out blog series about me going back and making my 2010 album, Modus Operandi, new again. That was the method for Punk Rebel Renegade and Boobs, Butts, and Feets. Modus Operandi is less of a classic album. Aside from one song on it that made its way to Rock Band via the Rock Band Network, it’s largely unknown. But that’s how most of my stuff is, so whatever. I’ve been talking about finally releasing this album to the public for a while, so this isn’t a big announcement, but it’s more of a formal behind-the-scenes talk. Continue reading “Reviving Modus Operandi, Pt. 1”
Here we go. I like to write these retrospectives after I release an album. Whether or not anyone likes reading them is a different story, but…whatever. Leading up to the release of the album, I gave a decent amount of looks behind the scenes. But these retrospectives are kind of long form and include audio clips and such. The plan was to publish this long before now, but I felt like part of the story is to see how it performed after the release. So this is going to be cool, maybe. Let’s get to it.
You can read a lot about the recording of More Awesome Than Awesome in previous posts below. I don’t want to rehash old information. Let me just tackle each track individually. I’ll try to keep the commentary to a minimum. Continue reading “More Awesome Than Awesome – The Retrospective”
I’m in the final stages of producing my new album. Last weekend was very productive. At the moment, I have 14 songs set to appear on the album. It’s fun to talk about things in a theoretical sense, so that’s what I’m going to do now. This will be even more fun for you because you haven’t heard most of what I’m talking about. Continue reading “My Next Album Will Be Better or Worse Than My Old Stuff”
The second half of 2014 was spent recording Heat Stroke, which released in 2015. I don’t want to spend much time talking about that album right now for two reasons. One, I’m going to post a neat retrospective on it here next month. And two, I don’t like it that much. Heh.
A few months after Heat Stroke was released, I put out a proper mastered version of 2011’s Punk Rebel Renegade. That was a fun project. I remember having some tumultuous yet exciting times during the recording sessions, and revisiting it to release it in mid-2015 was entertaining as well. A year later, I put out a final version of 2008’s Boobs, Butts, and Feets, probably my most interesting album to date. Continue reading “My Next Album Will Be Awesome”
Today I am going to talk about what went into creating my newest masterpiece, “Kill the Buffalo.” I’m super excited about it. Sometime last year, I began to notice people at work wearing lumberjack-style shirts. Affectionately called Buffalo Plaid, the design of these now-trendy shirts irked me. Why are all these people wearing such a stereotypically Canadian lumberjack pattern? I mean, it’s not an exceptionally good looking design. I don’t know, but they still do it, and that’s why I’m making a song about it. Continue reading “The Making of “Kill the Buffalo””
Ugh. I didn’t want to have to write this blog post. I didn’t want to need to have to write it. I certainly didn’t think it would happen, but looking at what I’m about to describe in a positive light, it taught me some things about The Business.
So I’ve debated with myself over whether or not I should call any businesses out over this or if I should just leave them anonymous. I figured it wouldn’t be fair because other similar businesses might have done the same thing. I doubt it, but whatever.
Anyway, you may have noticed that robbysuave.com disappeared for exactly a month. And those were the weeks in which I was trying to get Boobs, Butts, and Feets out to the public. During the weeks or even months leading up to an album release, I’ve grown to enjoy posting about what I’m doing once a week or two. Without warning, my web host deactivated my account. This disabled my website, my e-mail, and other stuff. Lame. At this point I don’t even remember exactly how it went, but I remember a week or two before they shut me off, my work computer was blocking me from visiting robbysuave.com, saying it was infected with malware. So I contacted my host, explaining the problem, and they said there weren’t any viruses or anything. Soon after, my site is down without warning. What I’m pretty sure was days later, I got them to sort of explain what happened: that I had infected files…that was irritating for obvious reasons. But I did what I needed to do to remedy that problem in a few hours probably. But did they reactivate my account? No. Continue reading “Bringing Back Boobs, Butts, and Feets, Pt. 9”
Ugh. Since my last BBAF update, the real last one, Part 6, my time has been spent getting the movie sample stuff squared away and also listening to the songs over and over again. These two very different tasks are probably equally intensive for very different reasons. Let me explain. Continue reading “Bringing Back Boobs, Butts, and Feets, Pt. 8”
LOST POST! I could have sworn I published this a month or so ago, but…apparently not. At the end of it, I was talking about planning for the releases of the “Alcoholic” singles. Since that’s over and done with, I took it out. But you can read the rest of what I had intended for you to read a long time ago. Read on. Continue reading “Bringing Back Boobs, Butts, and Feets, Pt. 7”
I hit a bump in the road of getting the movie samples rerecorded for the album. The peak of that bump is visible, but I’m not quite to the top yet. I didn’t want to record all the movie lines myself, because it would sound sillier than it was meant to be. While recording myself and others, it became apparent that it’s tough to mimic the audio from a movie scene accurately when you have people available to record. It’s also difficult to figure out how to arrange people to record the vocal recordings in the first place.
More than that though, I’m trying to mimic how the movie audio sounded in my songs. For whatever reason, I put weird effects on some of them so that they’d sound kind of crazy. And now it’s essentially impossible to recreate those effects. You may remember that I had this trouble with the vocal tracks. But with these movie parts, I have to record new parts in addition to screwing with them to make them sound like they did in these musical masterpieces.
Early on, months ago, I (thought I) knew which parts I wanted to record in lieu of simply eschewing them. These are ones whose absence would bother me greatly whenever I listened to these refreshed versions. It took a while, for various reasons, but I managed to obtain those recordings. Continue reading “Bringing Back Boobs, Butts, and Feets, Pt. 6”